Maybe you were lucky enough to be there. Maybe you just saw one of the documentaries or read one of the many articles. But those who remember Dallas’ legendary Starck Club at the beginning, in those heady early days in 1984 when Dallas, of all places, opened one of the most lavish and well-appointed nightclubs in the world, remember that to get into the club you to meet the demanding high standards of the woman manning the door. Her name was Edwige Belmore, and, sadly, she has passed away.
Edwige was in Dallas by way of Paris, London, and New York, where she hobnobbed with just about anyone who mattered in the late 1970s, early 1980s. Via Vogue:
[She] palled around with Yves Saint Laurent, Loulou de la Falaise, Bianca Jagger, and Farida Khelfa. She was photographed by Helmut Newton, Maripol, and Pierre et Gilles; reportedly dated both Sade and Grace Jones; kissed Andy Warhol on the cover of Façade (“The Queen of Punk Meets the Pope of Pop”); and walked the runway for both Jean Paul Gaultier and Thierry Mugler. At the former’s 1979 James Bond extravaganza, she took to the catwalk in ripped fishnets and a black feathered jacket, singing “My Way” (the Sid Vicious version, bien sûr).
Yes, there was a time in Dallas when you couldn’t just hobble up McKinney Avenue with your drunken sorority sisters and stumble into the latest hot night spot. You had to impress someone who went to Studio 54 for the first time with Andy Warhol on her arm. Not many made it through the door at first (the crowded Starck in the old photos largely came after management relaxed its standards in early 1985), but those who made it into Starck in those early days were greeted with something Dallas — or the world — had never imagined before: black polished terrazzo floors, Romanian crystal champagne flutes, one of the best sound systems west of the Mississippi, a one-of-a-kind sunken dance floor, and, of course, legal Ecstasy.
Dallas isn’t the same city it was when the Starck Club opened, and, in part, it has the Starck to thank for that. And the style and soul of the Starck owes much to Edwige Belmore. It is sad to hear of her passing.