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The Daily Show Bashes Dallas to Play to Austin Audience

The Daily Show is taping a week of programs down in Austin, and on their first night Monday, they went out of their way to play to the audience there by bashing Dallas. Firstly they appropriated the classic Dallas TV show intro and made it about Austin instead. Here are a couple of their other insults:

“Dallas is still a steaming concrete wasteland of traffic jams, big hair, and stupid belt buckles.”

And when Jon Stewart asked correspondent Jessica Williams whether the people of Austin were concerned about catching Ebola from nearby Dallas, she responded sarcastically:

“Oh, yeah, Jon, Austin is going to pick up something after Dallas.” (Pauses for laughter and cheers.) “No, Jon, Austin sets the trends, and Dallas finds out about them five years later.”

Also Democratic gubernatorial candidate, and Fort Worth State Senator, Wendy Davis was the guest on the show. She was full of all the sort of banal statements you expect to hear from a politician a week before the election. You can watch an extended version of the interview here.

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Whoa, Paul Rudd Was (UPDATE: Not) One of the Airport Heroes Who Took Down the Homophobe

You remember the video we posted about late Friday? When I put that item up, the video had a little more than 10,000 views. Now it’s got more than 1.7 million.

Well, turns out that one of the onlookers who rushed to the defense of the man attacked by an antigay bigot at Dallas-Fort Worth International Airport was Paul Rudd. The actor. You know, this guy. He was probably on a connecting flight from Kansas City.

UPDATE, 3:05 p.m.: The Internet appears to have let us all down, folks. Jezebel reports that Rudd’s publicist says it’s not him.

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Who Is the ‘Cologned Gallerist’ From Dallas in The New Yorker?

An alert FrontBurnervian points us to a recent New Yorker Talk of the Town story about, indirectly, how horrible people can be at art fairs (looking at their phones, taking selfies, etc.). The story follows a chap named Eric Fischl, who paints people looking at art. Fischl and the writer go to Art Southampton, which is held in a tent behind an Elks Lodge. That’s where this scene unfolds:

A cologned gallerist strode over, business card extended. He drawled, “We’re in Dallas, and let me tell you something — Dallas is the absolute hottest market going right now. It’s on fire!”

“See what I have to live with?” Fischl mumbled.

So then. Who is the gallerist who wears so much cologne that a writer would take note during such a brief exchange? It is a totally inconsequential matter that deserves immediate attention.

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Why Are There Painted Halloween Traffic Barrels Along LBJ Freeway?

Why am I obliging the nice fellow who sent me a press release this morning about traffic barrels painted with Halloween-themed art as a promotion for the LBJ Express project and Valley View Center and the redevelopment going on up there to re-dub the area Dallas Midtown?

Because I couldn’t help but wonder about the wisdom of encouraging drivers to take a gander at traffic barrels as they drive by, even if it’s just along the frontage road. The release:

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L.M. Kit Carson Has Died

Comes word today that the North Texas filmmaker, whose career included co-writing the Wim Wenders movie Paris, Texas and co-founding Dallas’ own USA Film Festival, has died.

In 2011, D Magazine ran an article penned by Carson that was ostensibly about his work making a series of short documentaries about Africa on his cellphone, but it really reads more like a fever dream than a magazine story. Tim called it “uneditable,” yet “quite charming.” You should too.

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Watch Erykah Badu Hustling On the Streets of New York

She posted up at 42nd Street and 6th Avenue to sing and ask for change. She made $3.60.

“In no way is this video a reflection of my feelings about homeless or unfortunate families nor individuals who have no other means of survival in our world,” she says. “Instead, this short film was shot w/ my iPhone and edited in iMovie for entertainment purposes only and serves as a personal ‘hustle’ experiment for me.”


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City Moves to Save Its Public Art

Back in March, I wrote about a piece of public art at White Rock Lake that the Office of Cultural Affairs wanted to remove because the work had deteriorated over the years. Once a popular attraction on the lake, the city didn’t have the money to maintain and repair Frances Bagley and Tom Orr’s Water Theater. In fact, the city doesn’t have funds to maintain and repair any of the public work in its collection. Rather than let it continue to deteriorate and become an eyesore, the city thought it would simply pull it out of the lake.

Not so fast. The arts community struck back, and the issue got a lot of attention. That got the attention of members of the Cultural Affairs Commission, which is now taking some early steps to figure out how to take care of the public art it commissions. At tomorrow’s Cultural Affairs Commission meeting, commissioners will vote on allocating funds to study the needs of the collection and possibly hiring a conservation manager to implement that review.

The move makes sense. The percent for art ordinance requires municipal capital projects to dedicate funds for the commissioning of art, so the city should have a way to maintain the pieces it commissions. As I’ve argued in the past, it’s not the only change that needs to happen with how this city handles its public art program, but it’s a positive step in the right direction.

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